Today’s blog post will get a trifle sentimental. I’m writing
as a former OSAI student, a creative writer from 2006. It’s seldom that I
practice my craft these days—I’m a journalist, so I tend to stick to facts.
Nothing has compelled me to begin again to write creatively more than returning
to Quartz Mountain as a staff member. That’s because the work of the students
here—not just in creative writing, but across all the disciplines—inspires. But
instead of telling you about it, I’ll let the art speak for itself.
The following poems are the collected works of the OSAI
creative writers, composed for inclusion in the centerpieces of the tables
during this year’s Visitors’ Day.
let your hands be a resting place for time
and rejoice in the aging of your body
let your skin grow rough from your dances in the wind
and celebrate the grace that will come to crease your eyes
from the depth and frequency of laughter
exalt the blaze of seasons
for you will not fade with the fading of the light
so let your
mind burn and falter
when it is best to fall
revel in the salt of your mistaking
because there is the world to be tasted
taste it
—Alex Rivas
Steeplechase Road
Let there be children who
drink orange soda through sour patch straws
and raise dandelions in Mama’s glass bowls.
Let there be children who
lay rusted pennies to sleep on train tracks
and carry thin copper luckthings on thread.
Let there be children who
weave muddy caskets from grass to send a
friend, bumblebee, down the creek.
Let there be children who
climb electrical towers to watch the sunset
and hold nervous currents at their toes.
—Alison Liu
Let there be a soothing slap of skin parting from the gaudy
protection
Of the band-aid decorated with the heroes who fought on
A cartoon you never watched
Let there be a cavity in gravity you’ll miss in ten years
When you can no longer fly on construction paper wings
Instead staring out an office window
Let there be rooms that forget the alphabet
With white washed walls that can no longer spell your name
Let there be water that tastes of his favourite flower which
died in the glass
Before your thirst was born.
—An-Li Bogan
Where Petals Go
Let there be an unpaved road
with a field beside it and a sky
dunked in pinks and purples until the blue drowned above
Let there be daisies in that field
floating in the grass like spirits
tied down with green string
Let there be wind to find the daisy
to touch its face with cooling lips
and cherish its petals enough to take
Let there be you to watch the petals like white flames
leaving smoke not allowed to touch
the sky
And let there be you to free the last petal that clings like
heartbreak
so it can move on to higher things
Let there be another wind to help you do the same
—Brooke R. Busse
Let there be lunch lines and clusters of students with red
trays.
Let there be rain and clouds that block the Twin Peeks from
view and cast a grey shadow across the Oklahoma Arts Institute,
giving the photography students and their cameras a break
from the sun.
Let the acting students sit in the lobby in silence as they
memorize monologues.
Let the dancers stretch their legs as the sun drifts through
the windows.
Let the Rubix Cube hidden on campus be found before
nightfall.
Let it solve itself.
Let me write like the Quartz Mountains that rise up and down
against the sky.
Let the mountains fill up with green grasses growing on its
sides like grass in a bowl.
—Candace Osterhout
Let there always be caramels in your grandmother’s glass
bowl.
Let there be a fat cat to sleep in your lap,
and an old dog to lay at your feet.
Let there be lemonade summers and hot chocolate winters.
Let there never be a time when you can’t come home
and sit on your childhood swing.
Let there be Snuggies, ramen noodles and mystery novels.
Let there be days in which you just do nothing.
Let there be sunlight to wake you up some mornings.
Let there be scary movies and friends to watch them with.
Let there be rain.
But most of all, let there be medicine to heal your body,
and art to heal your soul.
—Erin McCoy
Let there be quartz and people who keep the door open for
those
coming out of a crowded concert.
Let there be daisies and marigolds and azaleas.
Let there be jazzy trombones, wrapped Andes mints,
and cats with question mark tails.
May there be casual hellos and soothing cellos.
Give us fountain pens and fantasy books to feel through.
May there be homemade Valentine cards.
Let there be mothers, water,
fathers; let there be children who sing in showers
and men who rent tuxedos.
Let there be the color brown.
Let there be breath.
—Giselle Willis
Let there be hands to create music, words, ideas.
And people will know and invite the owners of the hands to a
cradle of stone and foliage.
And the trees will bow and the rocks will tremble in their presence,
because the hands
will make them again.
Let the does graze below the bridge on the uncut grass,
knowing that no hands will harm
them, and they will be alive.
And the hands will meet other hands, shake, and flourish in
their craft; create a beat to
dance and live to.
And the hands are surely placed by the words of a woodsman,
encouraging them to
live deliberately.
Let heroes, heavens, and spirits of Helios flow from their
fingertips and erupt in song,
heard as far into the universe as
the dust of Saturn’s rings.
The hands will find new ways and the people will come to
see.
—Madisyn Bowen
Let the doe ever wander green meadows where the dandelions
go
Like lions without teeth or claws, each seeds small
parachute ready to break its fall.
Silence of the meadows as a haven where the heavens see
foals knobby knees.
Let this be sacred ground where nature comes to lie while
earth whispers lullabies.
The brook where the doe and her fawn pause to drink,
The shuffling of grass and of leaves in trees and they
rustle in the breeze.
Let these tender songs ever comfort those forlorn, the
lonely and the lowly,
When the constancy of morning like the certainty of night
are to never cease
And let green remain.
—Meredith Winn
Why Do We Let Them Let?
Let—to allow—it is a word of a
different color than timshel—thou
mayest—less gracious, more furious, a salt-green flexing rather than its
nebulous deep. It is not the game of command, ask permission, and the generous timshel—it is, as in, let us go—let us ride our bikes like horses and tilt at the
telephone poles. Let us build our medicines, locomotives, bridges—
Let—
Let us—
Let us spring furiously from the chthonian body of our home,
go!
Go! Rocket—let go
gravity—
Burn you trillion cosmic lanterns, spin, other earths. We
see you if the gods will
Let us—
go!
—Erin Fuller
Let there be dirt- crumbling, warm, soft
smelling of growth,
pushing forward new life, taking on old.
Let there be silent mornings
alone with a dainty tea pot steeping
and a simple saucer of browned bread.
Allow words to spill forth from pens- an outpouring
transforming
and transformed.
Allow there to be pages, strong enough to cut
and carry as a
vehicle the words,
taking them where they are necessary.
Let there be sound, a taxi bleating, a sprinkler clicking
rhythmically along,
a murmur
as trees converse with one
another, a cacophony saying please.
Allow there to be grass, a cushion to lie on,
and the residents building in their own universe.
—Bethany
McLemore
Remember your favorite word and remember who gave it to you,
precious as any physical gift.
Remember the books and people that changed how ideas appear
to you, outside insight is an invaluable thing.
Remember the smell of breakfast, mornings spent among the
rustle of readallaboutit’s and the feeling of time spread around you.
Remember your favorite pair of shoes. Impractical,
outrageously priced, your mother clucking her tongue, not this time.
Remember your hands, they are the first to meet a new
friend, everything is written in your hands.
Remember how much time you spent trying to please others,
think about how often you played the kazoo. Weigh the importance of each.
Remember the first time you were told to grow up. Act your
age.
Now forget it.
—Tori Hack
Let there be Orwells
and Hemingways
Plath
Fitzgeralds Shakespeares
Dickinsons Poe
Let there be contradictions
Abstractions
Complexities
And then let there be words
too simple
for simple.
Let there be poems while I’m brushing my teeth
And stanzas while I sleep
And meter in my shower
And syllables
In every moment
That words
Can barely touch
Let there be Holy Sundays
And let there be Sundays
I set out to write the
King James Holy Bible
And this is how
The words have settled.
—Evan
Rathjen
You can hear more from the Creative Writing class during
ONSTAGE Weekend performances. Creative Writing performs tomorrow at 4 p.m.
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